Drakkar (A Viking Saga: The Darkest Day) has a low grade both on IMDB and RottenTomatoes, but, as usual, it is a matter of taste, and a Hollywood alike action movies’ world! This one fails to fit these last mentioned movies. I crossed upon it by mistake, but it was no mistake watching it! This is “a brutal tale set against the Viking attack on Lindisfarne in 793 A.D.” (http://www.chris-crow.co.uk/). The story revolves around the Lindisfarne Gospels, and the monks’ struggle to keep it safe.
The Welsh director, Chris Crow, does a well made movie with a low budget.
The acting and the story are fair, and why not say it, this is a piece of history after all! I am looking forward to the performances of:
I am talking about George Emerson’s (Julian Sands) lines:
He’s the sort who can’t know anyone intimately, least of all a woman. He doesn’t know what a woman is. He wants you for a possession, something to look at, like a painting or an ivory box. Something to own and to display. He doesn’t want you to be real, and to think and to live. He doesn’t love you. But I love you. I want you to have your own thoughts and ideas and feelings, even when I hold you in my arms. It’s our last chance…
After watching Mark Romanek‘s “Never Let Me Go“, words such as “fury“, “outrageous” “dehumanization” came into my mind. I was willing to know how much fiction and how much truth lies beneath this dystopian film. So I was looking for “National Donor Programme” (the name and NDP initials were clearly shown on a van’s rear door).
Speaking of “a new word“, one may wish to discover 3freewordsaday, Vocabulary Building the Easy Way! Actually there are not one, but three words each day!
Anyway, fiction or not, I was intrigued by the idea behind this movie (book) clearly explained by one of the characters in the movie, a new teacher in (Hailsham) school, to her students:
None of you would do anything except live the life that it was already set up for you. And sometime around your third donation your short life would be complete. That’s why you were created to.
The other day (this is an update) a dystopian sky photography found on Capricii [pseudo] literare urged me to integrate it within this post, so here it is:
Extending and improving lives through innovative stem cells therapies.
It is something somewhat different (at least in statement) than the methods (“therapies”) in the movie, but I still have a question mark regarding the methods in the film. I hope that science and medicine made a step ahead and moral methods are used.
Well, a fact for the end: I grew up in such a dystopian society from the day I was born until the last days of my 18th year of life (December 1989)!
Below, you’ll find the trailer and (fictional singer) Judy Bridgewater‘s song, “Never Let Me Go“, sung by Jane Monheit.
“Ce que le jour doit à la nuit” is the movie that I’ve watched the other day. A certain quote at the end of the movie drawn my attention, and I remembered the author: Yasmina Khadra. Surprisingly it wasn’t the name of a woman, but the name of a man. A man called Mohammed Moulessehoul, the author of “Ce que le jour doit à la nuit“, the book that inspired Alexandre Arcady the director of the movie.